NEWS

PRIVATE VIEW

First published in Campaign.

 

Those who know me will tell you this: I’m a proud South Londoner; the loves of my life are my little boy Noah and my little dog Pickle; I am and always have been a bit of a book, film and trainers nerd; and, behind the tough facade, can cry easily, usually over dogs, books, films and trainers…

I’d hope they would also add a bunch of other things, which might include that I’m a loyal friend, brutally honest and, above all else, I like to keep things real. Keeping it “real” is a bit of a theme in some of the work in this selection, hence this preamble. They may not know to mention, though, that having been in the industry for more than 25 years, being asked to do Private View in Campaign is a big deal.

So, here goes, let me wade in with the Department for Education film featuring a satisfied/happy-looking teacher and the difference he makes in the lives of his students… it’s a real beaut. Good casting, naturalistic performances and light touch. All hail, great teachers everywhere. This film captures that nicely and brought to mind two great primary school teachers, both of whom ignited my love of books and had fun names (Miss Crisp and Mr Jolly). Effortlessly crafted, I can’t fault it.

Next up, the activation for KitKat and Airfix and the nifty inclusion of the chocolate bar in Airfix model kits plus a clever break in the instructions to enjoy it. As I said, well nifty. Lovely bit of thinking, design and execution. I want one.

I’ve enjoyed the billboard campaigns that Oatly ran since the product launch. Simple design, in your face, smart copy with a knowing wink – I dig it. I’m not sure I like every single one of the new ads but, overall, it works for me.

As well as smart copy, I love clever graphic design and the work for the BBC’s Dracula nails it. Smashing. I’ve not had time to watch the series yet but will get to it.

I like the writing of the British Army film, too, and I can see how it could be effective. Although well made, for some reason I didn’t feel anything when watching it, even with repeat viewings. Maybe I am not the target audience for it.

I love animation, so it’s great to see the film for Greenpeace. This made me tearful, as it’s intended to do. Clearly a passionate collaborative piece to deliver a powerful message. I defy anyone not to be moved by it. Well-written and executed, fine voiceover, sound and music; animation a perfect fit. Sign this petition and every other petition for climate change when you get a chance.

The film for National Trust is beautiful, and the 125-year-old quote from its founder used throughout still resonates. It’s certainly pleasing to watch, if a little familiar. I’m a big fan of architecture, nature and peace, so what’s not to like here?

“Hit them with the realness” raps Little Simz for Sport England in “This girl can” – and First Direct and Butlin’s do so too, in their own individual way. Butlin’s uses talented kids who feel real to convey its message. I buy it, it’s a solid set piece, fun to watch performances and, I bet, fun to make too. Nice. I found myself fancying a trip to a UK resort just like this. Could it be because I have a four-year-old and find long-haul travel stressful or am I just getting less adventurous? Don’t answer that. Either way, I realise that this ad appeals to a certain group that may, just may, now include me.

First Direct employs real people to talk about “money wellness”. Not sure what that actually means, but fair enough I guess. The print portraits are fractionally more arresting than the film. Other than the trainer thing I mentioned earlier, my money wellness is in fine fettle, thank you for asking.

So to end on Sport England. This film positively jiggles with realness. Women of colour, women with cellulite, with kids, with scars, with disabilities. Good direction, casting and editing. Bravo. I like it. But if you have bothered to read this far, you are probably not surprised by that, are you? Wellness and realness. More of both, please.

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